LEADERSHIP
Wednesday, 01 September 2010
In this piece, ABDULAZIZ ABDULAZIZ writes on the recent case of an alleged illicit sex affair between the director general of Kano State Censorship Board, Malam Abubakar Rabo Abdulkareem, and a minor. He raises questions from both ends of the story.
Efforts were allegedly made to 'kill' the story but it stubbornly fizzled out and when it did, it sparked a shocker to many, though some said there was nothing odd about it. However, the proponents of the oddity of the story may have the upper hand, in terms of reasons to cite: the man is exceptionally pious; that is if it can be deduced from facial expression. He was once the next in command at the state’s Sharia implementation agency, Hisbah, derogatorily tagged 'Sharia police'. He pursued filmmakers and other artists in the state as if they are the most devilish of devils. He has disowned them with unprintable words. Therefore, it should naturally be a story when a person with such a profile of Malam Abubakar Rabo Abdulkareem is found wanting.
The Story
The story of the scandal, as narrated to LEADERSHIP Interval, goes thus: A patrolling police vehicle was moving along Maiduguri Road on Sunday, August 22, 2010, around 10pm when they sighted a Peugeot car parked in a bushy area by the road's shoulder near Rukayyat House. They beamed a light and the man sped off to escape. The police also accelerated to catch up with him. The police used their vehicle's siren to alert the man to stop but he refused and instead engaged them in car race.
He raced frantically following the eastern by-pass road and through Unguwa Uku quarters with the police trailing him. This made the man with the car to knock down a motorcyclist around Unguwa Uku Shago Tara. He however forged ahead, accelerating the vehicle. The latter incident, which led to inflicting injury on the motorcyclist prompted some commercial motorcyclists, to help the police in trailing the fleeing driver. He was subsequently caught up with.
The angry mob of motorcyclists began to beat up the driver as some aimed at the car, incurring serious damage on the car, before the arrival of the police who dispersed the people and arrested the driver. On reaching the police station at Hotoro Division, the runaway driver identified himself as Abubakar Rabo Abdulkareem, the director general of the state’s censorship board.
On searching the car, according to a LEADERSHIP source, a young girl was found. Abdulkareem claimed that the girl was his niece and he was coming from his family house when he was trailed. The police at the station demanded that the DG tendered a written statement to that effect. He was released afterwards.
Abdulkareem, LEADERSHIP learnt on good authority, departed for Saudi Arabia a day after the incident. When our correspondent called him last Thursday, on introducing the reason for the call, the chief censor replied; "By Allah, I don't know about it."
However, Abdulkareem had confirmed the story to other journalists with the alteration that the girl was his niece, whom he was conveying from his parents house to his own house. He however appealed to the journalists to let the matter die as exposing it amounts to ridiculing Islam.
His argument, according to a clip of an interview with him obtained by LEADERSHIP, was that the whole drama was a set up to blackmail him by PDP stalwarts in the state who have been looking for a way to eliminate him. He said those people had been meeting for about three weeks, at Shagari quarters, on how to nail him.
According to him, seeing a full beam from an approaching car on that fateful day, he became scared due to the incessant threats he had been getting, he therefore accelerated unconsciously in order to save his life. He denied that it was police that trailed him, saying the police only showed up later.
Rabo admitted that he was booed as a thief to get him to stop, but he continued speeding to get to where he can be saved. He said when the police realized that the girl found with him was his daughter, they released him. The DG lamented that some people were out to cash in on the incident to damage his reputation.
When LEADERSHIP visited Wase Hospital, where Abdulmudallib Jibrin, the injured motorcyclist, was hospitalized, entry access was denied him as he sustained serious injuries on his arm and head. The victim, who is a staff of the state History and Culture Bureau said he could not recall what happened as he was taken to hospital unconsciously.
Contradiction
Contacted for an official position about the saga, Kano State Commissioner of Information, Barrister Haruna Isa Dederi, said the incident was cooked up by Abdulkareem's enemies in the film industry. He said for a long time a group of filmmakers have been fighting the DG to the point of issuing death threats.
However, contrary to LEADERSHIP's findings and Abdulkareem's claim that the young girl with him in the car was his nieces, Dederi said the DG was with his wife and his daughter at the time of the incident. According to him, Abdulkareem had a running stomach and therefore stopped to ease himself in the nearby bush when the police vehicle approached him in full force. Reminded that the DG was pursued by the police with a siren vehicle, the information commissioner said it was not true and that the police was in a private vehicle, not an official one.
Police Investigating
However, the Kano State deputy commissioner of police, Mr Lawan Tanko, confirmed the arrest of the DG. He said the police are investigating the issue to find out why Abdulkareem ran away when pursued by the police. "We want to know what the running was about" DCP Tanko said.
The police top man said the command would unravel the case even as he described it as nothing serious. DCP Tanko also confirmed that the DG has knocked down a motorcyclist while escaping from the trailing policemen.
The ‘Niece’
However, a neighbour of Abdulkareem at his Tarauni residence, who do not want her name in print said the girl is indeed from Abdulkareem's household. She however wondered what the two were doing in a car at such an odd hour in a less populated place, "that is if what I heard was true" she said. The little girl was identified as Fati.
As the story made waves in Kano, many people are still dumbfounded that Malam Rabo could be involved in such a mess. His sympathisers dismissed the story as unfounded but those who have a hatchet to bury with him said the man has never been the saint he claims to be.
Police, in their usual promise, said they are not leaving any stone unturned to unravel the true picture of the incident. Many people see the incident as a turning point not only in Abdulkareem's career, but in that of many of those of his ilk.
Showing posts with label Malam Rabo. Show all posts
Showing posts with label Malam Rabo. Show all posts
Wednesday, 1 September 2010
Monday, 25 August 2008
Kano Censorship - ANA National wades in
Here's a piece of curious news out of Kano. This Monday, August 25, the President of Association of Nigerian Authors (ANA), Dr Wale Okediran, and National Publicity Secretary (South), Mr Hycinth Obunseh, were in Kano in order to dialogue with the Kano State Censorship Board on its plans to censor literary works in the state. The matter had caused quite a stir in the last few weeks.
I had spoken with Dr Okediran in the morning while he was already on the road to Kano (he had texted me when I was asleep, asking me to call). He wanted to know my views about the dialogue he was going to attend in Kano. And I told him.
The meeting was attended by the Kano censors and ANA members from Katsina, Zamfara, Sokoto and, of course, Kano. (They're all in the photograph above). The director-general of the censors board, Malam Abubakar Rabo Abdulkarim, headed his board's team. A few speeches were made, with speakers agreeing that there had been a misunderstanding or a break in communcation. At the end, a truce was arrived at, which appeared to have been deliberately designed to read like a no-winner-no-vanquished artwork. All to no avail, for you could easily sift out the winner and the vanquished from the proceedings. The whole thing was captured in a communique. Below is the text of the communique:
An interactive meeting between Kano State Censorship Board and Association of Nigerian Authors (National, Kano, Katsina, Sokoto and Zamfara branches) was held on 25th August 2008 at the Board and resolved as follows:
1. List of membership as well as books already in circulation should be forwarded to the Board through the literary associations (Authors, publishers, marketers) within 60 days from today 25/08/2008.
2. Subsequently, ANA and KSCB have agreed to look into other grey areas of the (KSCB) Law.
3. Kano State Censorship Board and Association of Nigerian Authors will henceforth collaborate on relevant workshop/symposia in the area of censorship.
4. The dialogue agrees that Publishers, Marketers and other Distributors of literary works should register their businesses with Kano State Censorship Board.
SIGNED
Abubakar Rabo Abdulkarim
DIRECTOR GENERAL
Kano State Censorship Board
Dr Wale Okediran
ANA NATIONAL PRESIDENT
Monday, 28 July 2008
Censorship in Kano
Some Preliminary Thoughts
I have restrained myself from commenting on the new regime of censorship in Kano (the latest I mean, which affects writers) because I had wanted to study the trend of opinion among the writers themselves. Being an author, my first reaction was one of anger, anger against those that work to emasculate intellectualism in Hausa land.
Kano is too important to ignore when it comes to intellectualism and creativity. It is the hub of intellectualism in Hausa land - an enviable position it seized from my native Katsina State. It is as the saying goes - when Kano sneezes, other Hausa cities catch cold immediately. Little surprise, then, that when movie making was banned for six months last year, the ripples were felt all over Northern Nigeria.
I have found myself caught between the extremes of the two stages of censorship unfurled by the Kano State Censorship Board. As a filmmaker myself, and publisher of the leading Hausa movie magazine, I was directly affected by the ban on moviemaking and the subsequent measures that were announced with the clear (though hidden) motive of emasculating the young, albeit vibrant film industry. Many of my close friends were affected; they were thrown out of work. I knew that most of them depended on the movie market to fend for themselves and even feed their kith and kin. They thus added to the army of the unemployed in Kano State. The government of Governor Ibrahim Shekarau (pictured above) has done little to reduce poverty through job-creation for the youths. I was told it employed many driving the A Daidaita Sahu motor-scooters and others in serving the quasi-police agency Hisba. But by banning filmmaking, it created a big market of unemployed youths, this time with young girls as half of the number of victims.
The level of discontent among the populace is unquantifiable.
Now that the censors are preparing to punish unregistered authors, I am caught in the centre again. Being a Hausa author myself (NB: I won the biggest Hausa writers' award with my novel "'Yartsana'), I felt doubly certain that part of the new legislation was directed at me! Of course, I am not the sole target. Everyone else is a target. In fact, I could even be considered a distant target, having not depend on book writing for a living. But the truth is that any writer worth his salt on the globe is a victim of the attack on creativity by a regime anywhere on earth.
The censors have no moral standing to prescribe a moral yardstick for authors because if they were to be judged using the same yardstick, many of them would be sent to jail first. The kind of stories one gets to hear about government officials in Kano, many of them verifiable, you would be at your wit's end trying to decipher the purpose of the current onslaught. Here are people who have failed to provide basic amenities for the common people, but they are using religion to attack others.
Can't those victimised use religion to fight back? This question is important in settling scores in the matter. No government official should consider himself holier than the next person just because he has money to employ hungry malams as radio propagandists. For, religious sentiments were used copiously to overcome filmmakers. The same sentiments have begun to be used by Malam Abubakar Rabo, the Director-General of the Censorship Board, against the authors. In the coming weeks and months, be sure to hear him on radio and TV using moral dogma to belittle and tar the authors.
The Hausa writers should not fear to fight this war. They should assemble their own Qur'anic surahs and the Prophetic hadiths against the unjust rulers and pretenders in order to defend themselves. They should visit radio and TV stations to speak out. They may be gagged there because government happens to be the biggest advertiser, but then they should use the independent media all over the world to expose the hypocrisy embedded in the ongoing war against intellectualism. Their war should be waged against the avalanche of intolerance and insensitivity which seems to be increasingly cultivated by some minority elements within the Kano State government.
They may not be rich enough in material resources to fight, but their ideas and their tenacity of purpose will be of great benefit to them. They are going to be supported by all persons of conscience. They should watch out against fifth columnists among themselves who shall be easily bought with cheap porridge by the censors.
Above all, they should be consoled by the knowledge that power is transient. Shekarau and all those book burners will not be in power forever. By 2011 there shall be a general election and Shekarau will not only go away but also fade away like an old tale. Even if he manages to plant a lackey/stooge as the next state governor, he would not have the guarantee that his interests would be safeguarded perpetually. It happened in Zamfara and many other states of the federation. And even if his stooge remains loyal to him, that stooge would one day leave. Remember that Dr Rabi'u Musa Kwankwaso, whom he defeated in 2003, was the most powerful governor Kano ever had, but where is he now? Is he not in the Siberia of political power even though he had been rewarded with a ministerial post by Obasanjo?
How I wish I could join this war. But I will not. I have only expressed my mind - for the records. My weapons shall remain in their armoury because I have friends in the Kano government. My heart will, however, remain with my friends the authors and the filmmakers. If the war degenerates, I shall fight. But on a different pitch from where both the dog the monkey shall be bloodied.
I have spoken. Ma'assalam.
I have restrained myself from commenting on the new regime of censorship in Kano (the latest I mean, which affects writers) because I had wanted to study the trend of opinion among the writers themselves. Being an author, my first reaction was one of anger, anger against those that work to emasculate intellectualism in Hausa land.
Kano is too important to ignore when it comes to intellectualism and creativity. It is the hub of intellectualism in Hausa land - an enviable position it seized from my native Katsina State. It is as the saying goes - when Kano sneezes, other Hausa cities catch cold immediately. Little surprise, then, that when movie making was banned for six months last year, the ripples were felt all over Northern Nigeria.
I have found myself caught between the extremes of the two stages of censorship unfurled by the Kano State Censorship Board. As a filmmaker myself, and publisher of the leading Hausa movie magazine, I was directly affected by the ban on moviemaking and the subsequent measures that were announced with the clear (though hidden) motive of emasculating the young, albeit vibrant film industry. Many of my close friends were affected; they were thrown out of work. I knew that most of them depended on the movie market to fend for themselves and even feed their kith and kin. They thus added to the army of the unemployed in Kano State. The government of Governor Ibrahim Shekarau (pictured above) has done little to reduce poverty through job-creation for the youths. I was told it employed many driving the A Daidaita Sahu motor-scooters and others in serving the quasi-police agency Hisba. But by banning filmmaking, it created a big market of unemployed youths, this time with young girls as half of the number of victims.
The level of discontent among the populace is unquantifiable.
Now that the censors are preparing to punish unregistered authors, I am caught in the centre again. Being a Hausa author myself (NB: I won the biggest Hausa writers' award with my novel "'Yartsana'), I felt doubly certain that part of the new legislation was directed at me! Of course, I am not the sole target. Everyone else is a target. In fact, I could even be considered a distant target, having not depend on book writing for a living. But the truth is that any writer worth his salt on the globe is a victim of the attack on creativity by a regime anywhere on earth.
The censors have no moral standing to prescribe a moral yardstick for authors because if they were to be judged using the same yardstick, many of them would be sent to jail first. The kind of stories one gets to hear about government officials in Kano, many of them verifiable, you would be at your wit's end trying to decipher the purpose of the current onslaught. Here are people who have failed to provide basic amenities for the common people, but they are using religion to attack others.
Can't those victimised use religion to fight back? This question is important in settling scores in the matter. No government official should consider himself holier than the next person just because he has money to employ hungry malams as radio propagandists. For, religious sentiments were used copiously to overcome filmmakers. The same sentiments have begun to be used by Malam Abubakar Rabo, the Director-General of the Censorship Board, against the authors. In the coming weeks and months, be sure to hear him on radio and TV using moral dogma to belittle and tar the authors.
The Hausa writers should not fear to fight this war. They should assemble their own Qur'anic surahs and the Prophetic hadiths against the unjust rulers and pretenders in order to defend themselves. They should visit radio and TV stations to speak out. They may be gagged there because government happens to be the biggest advertiser, but then they should use the independent media all over the world to expose the hypocrisy embedded in the ongoing war against intellectualism. Their war should be waged against the avalanche of intolerance and insensitivity which seems to be increasingly cultivated by some minority elements within the Kano State government.
They may not be rich enough in material resources to fight, but their ideas and their tenacity of purpose will be of great benefit to them. They are going to be supported by all persons of conscience. They should watch out against fifth columnists among themselves who shall be easily bought with cheap porridge by the censors.
Above all, they should be consoled by the knowledge that power is transient. Shekarau and all those book burners will not be in power forever. By 2011 there shall be a general election and Shekarau will not only go away but also fade away like an old tale. Even if he manages to plant a lackey/stooge as the next state governor, he would not have the guarantee that his interests would be safeguarded perpetually. It happened in Zamfara and many other states of the federation. And even if his stooge remains loyal to him, that stooge would one day leave. Remember that Dr Rabi'u Musa Kwankwaso, whom he defeated in 2003, was the most powerful governor Kano ever had, but where is he now? Is he not in the Siberia of political power even though he had been rewarded with a ministerial post by Obasanjo?
How I wish I could join this war. But I will not. I have only expressed my mind - for the records. My weapons shall remain in their armoury because I have friends in the Kano government. My heart will, however, remain with my friends the authors and the filmmakers. If the war degenerates, I shall fight. But on a different pitch from where both the dog the monkey shall be bloodied.
I have spoken. Ma'assalam.
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